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Marnie Hawson
Marnie Hawson
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About
Services
Impact
Business
Mentoring
Journal
Contact
Shop
Press
Marnie Hawson
Marnie Hawson
0
0
About
Services
Impact
Business
Mentoring
Journal
Contact
Shop
Press
Shop A floral starburst
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A floral starburst

from $180.00

This spiky yet delicate flower was captured in the coastal scrubland of South Australia.

This print is available in both vertical and horizontal orientation.

A black frame is also available, just leave a note at checkout if you’d like this option.

Details

Limited edition of 100 prints. Each print comes with a signed certificate of authenticity.

Printed on 310gsm 100% cotton rag museum grade archival paper, which is archival quality and guaranteed not to fade or bleed for up to 100 years.

Printed and framed by hand in Melbourne.

The timber shadowbox frames are made from sustainably sourced Victorian Ash, with 3mm museum grade Plexiglas (which is lighter than glass, protects from UV damage and is shatter proof). They are finished with a wire so are ready to be hung straight out of the box.

See the last image for print dimensions, and FAQs for exact dimensions of frames and borders.

Shipping

AUSTRALIA

Free shipping on both unframed and framed prints (except the Extra Large framed print).

The Extra Large framed prints have free shipping for metro Melbourne and Sydney. For areas outside of this, contact me for a shipping quote.

Please allow two weeks for delivery, as each one is made just for you.

WORLDWIDE

Free shipping on all unframed prints. Framed prints are too large to post overseas, so are not available to order (apologies!)

See here for print shop FAQs.

Sustainability

Are sustainable materials used to produce your fine art prints?

Yes - the frames are produced from locally-sourced Victorian ash which has been certified by the Forest Stewardship Council. FSC certification provides the highest level of protection for rare and endangered forests and wildlife, and is the only system that mandates consultation with local Indigenous Peoples.

The prints themselves are a 310gsm 100% cotton rag, which is considered the most environmentally photographic paper as it doesn't use any tree fibres. Instead, it is produced from a recycled by-product of the textile making industry. While the cotton industry itself isn't very environmentally friendly - the cotton rag paper is a by-product and therefore is considered to have a low environmental impact as no cotton is grown specifically to make the paper stock.

In addition to this, the prints are made to last - they are museum quality which means they will be protected for over 100 years.

What do you use to package the prints for shipping?

Packages are wrapped with Polycell EcoPure, a biodegradable bubble wrap alternative which is designed to degrade plastic in a landfill overtime. Frames are shipped in cartons from 3BC stock which is comprised of 77% recycled content and 33% from FSC certified kraft fibres that are sourced from Gippsland in Victoria.

Is the shipping carbon neutral?

Sure is!

Support local

The workshop based in inner Melbourne supports the local economy by employing skilled craftspeople under fair and safe working conditions. This produces products that contribute to the livelihoods of many Australian artists.

Size:
Unframed or framed:
Orientation:
Quantity:
Add To Cart

This spiky yet delicate flower was captured in the coastal scrubland of South Australia.

This print is available in both vertical and horizontal orientation.

A black frame is also available, just leave a note at checkout if you’d like this option.

Details

Limited edition of 100 prints. Each print comes with a signed certificate of authenticity.

Printed on 310gsm 100% cotton rag museum grade archival paper, which is archival quality and guaranteed not to fade or bleed for up to 100 years.

Printed and framed by hand in Melbourne.

The timber shadowbox frames are made from sustainably sourced Victorian Ash, with 3mm museum grade Plexiglas (which is lighter than glass, protects from UV damage and is shatter proof). They are finished with a wire so are ready to be hung straight out of the box.

See the last image for print dimensions, and FAQs for exact dimensions of frames and borders.

Shipping

AUSTRALIA

Free shipping on both unframed and framed prints (except the Extra Large framed print).

The Extra Large framed prints have free shipping for metro Melbourne and Sydney. For areas outside of this, contact me for a shipping quote.

Please allow two weeks for delivery, as each one is made just for you.

WORLDWIDE

Free shipping on all unframed prints. Framed prints are too large to post overseas, so are not available to order (apologies!)

See here for print shop FAQs.

Sustainability

Are sustainable materials used to produce your fine art prints?

Yes - the frames are produced from locally-sourced Victorian ash which has been certified by the Forest Stewardship Council. FSC certification provides the highest level of protection for rare and endangered forests and wildlife, and is the only system that mandates consultation with local Indigenous Peoples.

The prints themselves are a 310gsm 100% cotton rag, which is considered the most environmentally photographic paper as it doesn't use any tree fibres. Instead, it is produced from a recycled by-product of the textile making industry. While the cotton industry itself isn't very environmentally friendly - the cotton rag paper is a by-product and therefore is considered to have a low environmental impact as no cotton is grown specifically to make the paper stock.

In addition to this, the prints are made to last - they are museum quality which means they will be protected for over 100 years.

What do you use to package the prints for shipping?

Packages are wrapped with Polycell EcoPure, a biodegradable bubble wrap alternative which is designed to degrade plastic in a landfill overtime. Frames are shipped in cartons from 3BC stock which is comprised of 77% recycled content and 33% from FSC certified kraft fibres that are sourced from Gippsland in Victoria.

Is the shipping carbon neutral?

Sure is!

Support local

The workshop based in inner Melbourne supports the local economy by employing skilled craftspeople under fair and safe working conditions. This produces products that contribute to the livelihoods of many Australian artists.

This spiky yet delicate flower was captured in the coastal scrubland of South Australia.

This print is available in both vertical and horizontal orientation.

A black frame is also available, just leave a note at checkout if you’d like this option.

Details

Limited edition of 100 prints. Each print comes with a signed certificate of authenticity.

Printed on 310gsm 100% cotton rag museum grade archival paper, which is archival quality and guaranteed not to fade or bleed for up to 100 years.

Printed and framed by hand in Melbourne.

The timber shadowbox frames are made from sustainably sourced Victorian Ash, with 3mm museum grade Plexiglas (which is lighter than glass, protects from UV damage and is shatter proof). They are finished with a wire so are ready to be hung straight out of the box.

See the last image for print dimensions, and FAQs for exact dimensions of frames and borders.

Shipping

AUSTRALIA

Free shipping on both unframed and framed prints (except the Extra Large framed print).

The Extra Large framed prints have free shipping for metro Melbourne and Sydney. For areas outside of this, contact me for a shipping quote.

Please allow two weeks for delivery, as each one is made just for you.

WORLDWIDE

Free shipping on all unframed prints. Framed prints are too large to post overseas, so are not available to order (apologies!)

See here for print shop FAQs.

Sustainability

Are sustainable materials used to produce your fine art prints?

Yes - the frames are produced from locally-sourced Victorian ash which has been certified by the Forest Stewardship Council. FSC certification provides the highest level of protection for rare and endangered forests and wildlife, and is the only system that mandates consultation with local Indigenous Peoples.

The prints themselves are a 310gsm 100% cotton rag, which is considered the most environmentally photographic paper as it doesn't use any tree fibres. Instead, it is produced from a recycled by-product of the textile making industry. While the cotton industry itself isn't very environmentally friendly - the cotton rag paper is a by-product and therefore is considered to have a low environmental impact as no cotton is grown specifically to make the paper stock.

In addition to this, the prints are made to last - they are museum quality which means they will be protected for over 100 years.

What do you use to package the prints for shipping?

Packages are wrapped with Polycell EcoPure, a biodegradable bubble wrap alternative which is designed to degrade plastic in a landfill overtime. Frames are shipped in cartons from 3BC stock which is comprised of 77% recycled content and 33% from FSC certified kraft fibres that are sourced from Gippsland in Victoria.

Is the shipping carbon neutral?

Sure is!

Support local

The workshop based in inner Melbourne supports the local economy by employing skilled craftspeople under fair and safe working conditions. This produces products that contribute to the livelihoods of many Australian artists.

Frame sizes and finding the right space

Framed wall print of a spiky flower in South Australia by Marnie Hawson

Extra large - a statement piece. Hang or lean.

Framed wall print of a spiky flower in South Australia by Marnie Hawson

Small - a good size for a study nook, bathroom or console.

Framed wall print of a spiky flower in South Australia by Marnie Hawson

Large - great for a large hallway, over a table, bed or sofa.

Framed wall print of a spiky flower in South Australia by Marnie Hawson

Extra small - just right for a shelf or above a bed head.

Framed wall print of a spiky flower in South Australia by Marnie Hawson

Medium - perfect for smaller walls or hallways.

Collection of frame sizes in the print shop of Marnie Hawson

Extra small to extra large - a size for every space.

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I acknowledge the Traditional Custodians of the land that I live and work on - the Wurundjeri people of the Kulin nation. I pay my respects to their Elders past, present and emerging, and remember that sovereignty was never ceded.

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