Photography studio

for sustainable architecture.

Build like the future‘s depending on it.

01

about.

Not all photography of the built environment is created equal.

Sustainable design doesn’t stop at the front door. It extends into landscapes, infrastructure, and the living systems that surround our buildings.

And sustainable homes don’t look like the 1970s anymore. Forget mud brick experiments and bolted-on solar panels - today’s high-performance architecture, green infrastructure, and regenerative landscapes are refined, intelligent, and beautiful.

That’s why I photograph differently. I wait until landscapes establish. I insist on professional styling. Because I’m not just recording a building or a project - I’m reshaping how people see sustainable design in all its forms.

When a passive house, net-zero building, green infrastructure project, or regenerative landscape is photographed with the same care usually reserved for luxury homes, the conversation shifts. Sustainability stops looking like a compromise. It becomes the obvious, aspirational choice.

Over the past decade, my work has been published in more than 550 print articles and over 10 architecture and interiors books. I use that reach to put sustainable architecture, green infrastructure, and landscape projects in the spotlight - helping shift perception so people think, “I want to live there.” That’s how we move the needle.

That’s why I’m taking the conversation further with a book on sustainable building materials, co-written with Aleesha Callahan (former Habitus editor) and to be published by Hardie Grant in 2027 - because these choices aren’t niche anymore, they’re the future of design.

Your values-aligned photographer for projects that matter.

02

services.

Photography

I only photograph design that matters - sustainable architecture, green infrastructure, and regenerative landscapes that tackle climate change, biodiversity loss, and housing thats good for people and planet. If you’re designing the future of how we live with nature, I want to document it.

Mentoring

I help photographers and small business owners get their act together - workflows that actually work, systems that don't break, and businesses built with purpose. Limited sessions because I'd rather do fewer things well than spread myself thin.

Pro bono

I donate my time to environmental organisations doing the hard work - from passive house advocacy to wildlife conservation. Because some fights are too important to sit on the sidelines, and these organisations deserve good pics to tell their stories.

03

press.

My work has been widely published across leading architecture, design, and interiors media in Australia and internationally. I don’t just document your projects, I help them get seen - pitching to editors on behalf of my clients at no extra cost.

I’ve had more than 550 print articles published in leading architecture and design magazines, and my images have appeared in over 10 architecture and interior books over the last decade. I use those connections to put my clients’ work in front of the right audiences - because the more visibility sustainable architecture gets, the more it becomes the benchmark.

I was the sole photographer for the interiors book Curate, published by Octopus Publishing Group (2021). The book has sold over 130,000 copies worldwide, with a French edition released by Marabout in Paris in November 2025. Since 2024, I’ve also been a regular contributor to Uppercase (Canada) - a quarterly magazine for the creative and curious - where I write an eco-column.

Seen in

Green • Habitus • Houses • Dwell • Sanctuary • Country Style • Gourmet Traveller • Conde Nast Traveller • Escape • Home Beautiful • Australian House & Garden • The Age • Domain • The Design Files • Peppermint • Broadsheet • Homelife • Good Weekend • Real Living • Inside Out • Elle Decoration (UK) • Homes & Garden (UK) • Living Etc (UK) • Country Homes & Interiors (UK) • Nya Rum (Sweden) • Harper’s Bazaar (Germany) • Openhouse (Spain) • and many more.

I am represented internationally by Living Inside, Milan.

For my most recent portfolio updates, press features, and news, you’ll find me sharing more regularly on Instagram and LinkedIn.

Selected press from 2025 print media.

04

shop.

Very shellfish
from $180.00

From the salty seas and rocky beaches of Wilson’s Promontory.

This print would pair well with ‘dinosaur feet’.

A black frame is also available, please leave a note at checkout if you’d like this option.

Details

Limited edition of 100 prints. Each print comes with a signed certificate of authenticity.

Printed on 310gsm 100% cotton rag museum grade archival paper, which is archival quality and guaranteed not to fade or bleed for up to 100 years.

Printed and framed by hand in Melbourne.

The timber shadowbox frames are made from sustainably sourced Victorian Ash, with 3mm museum grade Plexiglas (which is lighter than glass, protects from UV damage and is shatter proof). They are finished with a wire so are ready to be hung straight out of the box.

See the last image for print dimensions, and FAQs for exact dimensions of frames and borders.

Shipping

AUSTRALIA

Free shipping on both unframed and framed prints (except the Extra Large framed print).

The Extra Large framed prints have free shipping for metro Melbourne and Sydney. For areas outside of this, contact me for a shipping quote.

Please allow two weeks for delivery, as each one is made just for you.

WORLDWIDE

Free shipping on all unframed prints. Framed prints are too large to post overseas, so are not available to order (apologies!)

See here for print shop FAQs.

Sustainability

Are sustainable materials used to produce your fine art prints?

Yes - the frames are produced from locally-sourced Victorian ash which has been certified by the Forest Stewardship Council. FSC certification provides the highest level of protection for rare and endangered forests and wildlife, and is the only system that mandates consultation with local Indigenous Peoples.

The prints themselves are a 310gsm 100% cotton rag, which is considered the most environmentally photographic paper as it doesn't use any tree fibres. Instead, it is produced from a recycled by-product of the textile making industry. While the cotton industry itself isn't very environmentally friendly - the cotton rag paper is a by-product and therefore is considered to have a low environmental impact as no cotton is grown specifically to make the paper stock.

In addition to this, the prints are made to last - they are museum quality which means they will be protected for over 100 years.

What do you use to package the prints for shipping?

Packages are wrapped with Polycell EcoPure, a biodegradable bubble wrap alternative which is designed to degrade plastic in a landfill overtime. Frames are shipped in cartons from 3BC stock which is comprised of 77% recycled content and 33% from FSC certified kraft fibres that are sourced from Gippsland in Victoria.

Is the shipping carbon neutral?

Sure is!

Support local

The workshop based in inner Melbourne supports the local economy by employing skilled craftspeople under fair and safe working conditions. This produces products that contribute to the livelihoods of many Australian artists.

For trade

I partner with interior designers, architects, hotels, and retailers who want art that aligns with their values.

Trade accounts get exclusive pricing, direct-to-client shipping, and hundreds of custom print options. Because your projects deserve more than mass-produced wall fillers.

The Australian landscape, reimagined as fine art.

Limited edition prints, sustainably made in Melbourne.

Every purchase supports environmental non-profits - as a 1% For the Planet member, I donate a portion of my revenue each year. My Prints for Wildlife series goes even further - 100% of profits from these prints go directly to wildlife sanctuaries caring for our native animals. It's art that directly funds food, shelter maintenance, and care for Australian wildlife.

Prints for Wildlife - 
Kate the Bare-Nosed Wombat for the Emerald Monbulk Wildlife Shelter
Quick View
Prints for Wildlife - Kate the Bare-Nosed Wombat for the Emerald Monbulk Wildlife Shelter
from $180.00

A black frame is also available, just leave a note at checkout if you’d like this option.

100% of profits are donated to the Emerald Monbulk Wildlife Shelter, Victoria

Inspired by a request to buy a large print of Waldo the orphaned joey that graced the cover of the Country Style magazine Spirit of the Bush issue in early 2020, I launched a personal project to raise funds for some of our dedicated wildlife carers who give so much to our native animals.

The concept is simple. I visit wildlife sanctuaries, take a portrait of one animal, and 100% of profits from each sale of that fine art print goes directly to that wildlife sanctuary.

The funds will be used to care for the wildlife in their care, generally on things like food, teats and bottles, maintenance of the shelter, and fuel. Most of the sanctuaries are completely self-funded or rely on occasional donations.

Emerald Monbulk Wildlife Shelter

Carol Seger of Emerald Monbulk Wildlife Shelter has been caring for injured and orphaned wildlife for over 30 years. It’s not unusual for her to have several hundred animals on her property at any given time, with animals like echidnas, wallabies, gliders, possums, wombats, all kinds of birds and even turtles.

The majority of animals that come into her care are as a result of human interaction – including many joeys and wombats whose mothers have died after being hit by a car. Due to the large number of wildlife on the property at any one time, it’s a full-time job for Carol, and she is self-funded.

A framed print has been gifted to the Emerald Monbulk Wildlife Shelter.

UPDATE - A total of $5,917 has been raised for Emerald Monbulk Wildlife Shelter as of 30 June 2021.

Kate’s story

Kate was orphaned when her mother was killed on the road. A passer-by saw the pouch moving and took the tiny little 1kg Kate her to a carer. A total of four carers were involved before Kate ended up with Carol, but it was at Emerald Monbulk that she met her best friend – another orphaned wombat of a similar age called William. Wombats are much happier in pairs, and the two are now inseparable. Both rapscallions have a big love for carrots, eating shoelaces, being cuddled, and both get the “zoomies” before the afternoon and evening bottle – a fast and furious sprint around the room.

Kate will stay with Carol until she grows to 20-25kg and is big enough to be released in the wild – with William of course!

Details

Printed on 310gsm 100% cotton rag museum grade archival paper, which is archival quality and guaranteed not to fade or bleed for up to 100 years.

Limited edition of 100 prints. Each print comes with a signed certificate of authenticity.

Printed and framed by hand in Melbourne.

The timber shadowbox frames are made from sustainably sourced Victorian Ash, with 3mm museum grade Plexiglas (which is lighter than glass, protects from UV damage and is shatter proof). They are finished with a wire so are ready to be hung straight out of the box.

See the last image for print dimensions, and FAQs for exact dimensions of frames and borders.

Shipping

AUSTRALIA

Free shipping on both unframed and framed prints (except the Extra Large framed print).

The Extra Large framed prints have free shipping for metro Melbourne and Sydney. For areas outside of this, contact me for a shipping quote.

Please allow two weeks for delivery, as each one is made just for you.

WORLDWIDE

Free shipping on all unframed prints. Framed prints are too large to post overseas, so are not available to order (apologies!)

See here for print shop FAQs.

Sustainability

Are sustainable materials used to produce your fine art prints?

Yes - the frames are produced from locally-sourced Victorian ash which has been certified by the Forest Stewardship Council. FSC certification provides the highest level of protection for rare and endangered forests and wildlife, and is the only system that mandates consultation with local Indigenous Peoples.

The prints themselves are a 310gsm 100% cotton rag, which is considered the most environmentally photographic paper as it doesn't use any tree fibres. Instead, it is produced from a recycled by-product of the textile making industry. While the cotton industry itself isn't very environmentally friendly - the cotton rag paper is a by-product and therefore is considered to have a low environmental impact as no cotton is grown specifically to make the paper stock.

In addition to this, the prints are made to last - they are museum quality which means they will be protected for over 100 years.

What do you use to package the prints for shipping?

Packages are wrapped with Polycell EcoPure, a biodegradable bubble wrap alternative which is designed to degrade plastic in a landfill overtime. Frames are shipped in cartons from 3BC stock which is comprised of 77% recycled content and 33% from FSC certified kraft fibres that are sourced from Gippsland in Victoria.

Is the shipping carbon neutral?

Sure is!

Support local

The workshop based in inner Melbourne supports the local economy by employing skilled craftspeople under fair and safe working conditions. This produces products that contribute to the livelihoods of many Australian artists.

Streaks of black, Whisky Bay
from $180.00

Details in the rocky wonderland at Whisky Bay, the next bay over from Tidal River at Wilson’s Promontory.

A similar print is available in a landscape orientation.

A black frame is also available, please leave a note at checkout if you’d like this option.

Details

Limited edition of 100 prints. Each print comes with a signed certificate of authenticity.

Printed on 310gsm 100% cotton rag museum grade archival paper, which is archival quality and guaranteed not to fade or bleed for up to 100 years.

Printed and framed by hand in Melbourne.

The timber shadowbox frames are made from sustainably sourced Victorian Ash, with 3mm museum grade Plexiglas (which is lighter than glass, protects from UV damage and is shatter proof). They are finished with a wire so are ready to be hung straight out of the box.

See the last image for print dimensions, and FAQs for exact dimensions of frames and borders.

Shipping

AUSTRALIA

Free shipping on both unframed and framed prints (except the Extra Large framed print).

The Extra Large framed prints have free shipping for metro Melbourne and Sydney. For areas outside of this, contact me for a shipping quote.

Please allow two weeks for delivery, as each one is made just for you.

WORLDWIDE

Free shipping on all unframed prints. Framed prints are too large to post overseas, so are not available to order (apologies!)

See here for print shop FAQs.

Sustainability

Are sustainable materials used to produce your fine art prints?

Yes - the frames are produced from locally-sourced Victorian ash which has been certified by the Forest Stewardship Council. FSC certification provides the highest level of protection for rare and endangered forests and wildlife, and is the only system that mandates consultation with local Indigenous Peoples.

The prints themselves are a 310gsm 100% cotton rag, which is considered the most environmentally photographic paper as it doesn't use any tree fibres. Instead, it is produced from a recycled by-product of the textile making industry. While the cotton industry itself isn't very environmentally friendly - the cotton rag paper is a by-product and therefore is considered to have a low environmental impact as no cotton is grown specifically to make the paper stock.

In addition to this, the prints are made to last - they are museum quality which means they will be protected for over 100 years.

What do you use to package the prints for shipping?

Packages are wrapped with Polycell EcoPure, a biodegradable bubble wrap alternative which is designed to degrade plastic in a landfill overtime. Frames are shipped in cartons from 3BC stock which is comprised of 77% recycled content and 33% from FSC certified kraft fibres that are sourced from Gippsland in Victoria.

Is the shipping carbon neutral?

Sure is!

Support local

The workshop based in inner Melbourne supports the local economy by employing skilled craftspeople under fair and safe working conditions. This produces products that contribute to the livelihoods of many Australian artists.

05

resources.

Free 5 week impact course

Curious to how you can create a positive impact in your business? Take this short quiz to assess your impact, and get access to a five week email series of tips and actionable steps to kickstart your impact journey.

B Corp gift guide

My clients work towards the Sustainable Development Goals (SDGs), particularly those relating to sustainable architecture, climate change solutions and biodiversity and conservation.

For my most recent portfolio updates, press features, and the stuff that doesn't make it onto this very professional website, you'll find me sharing regularly on Instagram and LinkedIn.

10 first steps to using your business as a force for good

10 first steps to using your business as a force for good

06

love
letters.

Eve Strano, Etha Architecture. “I really enjoyed working with Marnie. The process was really smooth, and the photos are amazing. I especially appreciated how Marnie took the time to show me exactly what she does and how she does it making sure that I was completely comfortable and knowledgeable about the process.”

James, Hazelwood Homes. “This is not the first time we have opted to work with Marnie and it wont be the last, her seemingly effortless approach makes for such a relaxing enjoyable process from the booking to shoot to final edit. She has a great eye for picking 'the shot' and we have so much confidence when she arrives. She has a great team around her and the company is very systemised which makes for a very user-friendly experience. We are always happy with the result so keep up the great work Marnie!”

Claire Thomas, Altereco Design. “We exclusively take on projects and collaborate with clients who prioritise performance and sustainability, so it's fantastic to work with a photographer who shares these values.”

Simone Blamey, AGA Australia. “Marnie's communication and planning was top notch. Marnie and her recommended stylist made the space look beautiful for the photo shoot . And most importantly, I am over the moon with the images. Thank you Marnie!”

Bernie Everett, Bernie Everett Building. “We sincerely appreciate Marnie Hawson for her exceptional professional photography, capturing our architectural homes with outstanding attention to detail and artistry. Her work beautifully showcases the quality and craftsmanship of our projects.”

Noa Hackett, The Sociable Weaver. “Marnie made the entire process effortless and enjoyable. Her calm and relaxed attitude created a stress-free environment, while her extensive experience and clear direction ensured we captured the heart and soul of the project. She was informative and helpful, generously sharing her knowledge and insights as she directed the shoot. Thanks Marnie!”

Marnie Goding, ELK. “Marnie continues to create images that translate our projects perfectly. Always incredible quality and her eye for detail and context delivers amazing results. Love working together!”

Talina Edwards, Envirotecture. “I was drawn to Marnie for her shared values, so the fact that she's also a talented photographer and a lovely person too means she's our ideal collaborator to help share the stories of our work :-)”

Simon Clark - Sustainable Homes Melbourne. “Marnie's at the top of her game in the realm of architectural photography and super motivated to take the best shots she can each and every time! Thanks again Marnie.”

Jesse Glasgott, G-LUX Builders. “It’s always a fun day shooting with Marnie and Belle. They both have an eye for detail which always results in amazing photos of our completed projects!”

Are logos beside each one a good idea here?

07

faqs.

If you have a project relating to sustainable architecture, green infrastructure, regenerative landscapes, climate change solutions or biodiversity and conservation, I’d love to hear about it.

hello@marniehawson.com.au

Purpose-driven photography by Marnie Hawson.

08

contact.